Carlos Idun-Tawiah’s photograph, “Mr Bilson, Play On,” radiates the quiet intensity of devotion and mastery. Captured in Accra, Ghana, in 2022, the image shows Mr Bilson seated at a grand pipe organ, his presence dignified and intimate.

Warm sunlight bathes the polished wood and illuminates rows of glowing stops, creating a serene interplay of textures and tones.

The composition leads the eye to Bilson’s hands as they command the keys, conjuring sound and memory in a moment that bridges past and present.

Through a slightly elevated perspective, the viewer enters a space of reflection, where artistry unfolds in silence. Mr Bilson’s tailored tweed jacket and crisp shirt echo the organ’s meticulous craft, while the ambient light recalls both old sanctuaries and vibrant afternoons in Accra. There is a palpable reverence for tradition—a conversation between musician and instrument, time and legacy.

Idun-Tawiah, born in Takoradi and based in Accra, is known for his storytelling that draws from African archives and personal memory. His work blurs boundaries between fiction and documentary, focusing on Black life, community, and continuity. In “Mr Bilson, Play On,” these themes come alive as the photograph honors the artistry of everyday moments and the strength of creative rituals.

Every detail, from Mr Bilson’s focused expression to the gleam of wood and gold, connects viewer and subject in shared contemplation.

The image transcends stereotypes, offering instead a nuanced meditation on heritage, joy, and the enduring power of music. Through careful composition and emotional depth, Idun-Tawiah celebrates Ghanaian tradition while invoking universal stories of grace and hope.