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Artworks

Frank Horvat, Boxing boys, Lambeth, London, 1955.

Frank Horvat Italian, 28/04/1928-21/10/2020

Boxing boys, Lambeth, London, 1955.
Gelatin Silver Print.
Printed in 2025.
.
Image: 20 x 30 cm / 7 7/8 x 11 3/4 in
Paper: 30 x 40 cm / 11 3/4 x 15 3/4 in
.
Edition of 5.
Frank Horvat Estate dry stamp, signed and authenticated by Fiammeta Horvat with title and edition number in pencil on label affixed to print verso.
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Frank Horvat's 'Boxing boys, Lambeth, London, 1955' captures a pivotal moment in post-war working-class life through the lens of one of photography's most influential figures. Horvat (1928-2020), an Italian-born photographer...
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Frank Horvat's "Boxing boys, Lambeth, London, 1955" captures a pivotal moment in post-war working-class life through the lens of one of photography's most influential figures.

Horvat (1928-2020), an Italian-born photographer who fled fascism with his Jewish family, had recently settled in London after two transformative years as a photojournalist in Asia, working for Life, Réalités, and Picture Post.

The photograph was taken in Lambeth, a working-class South London borough characterized by Victorian terraced houses and tight-knit communities forged by shared economic hardship. In 1955, traditional working-class life remained largely intact, though forces of change were already stirring that would eventually transform these neighborhoods.

The image shows two boys engaged in informal street boxing, a practice deeply embedded in British working-class culture. Boxing was taught in British state schools until 1962 and represented not just sport but crucial elements of masculine identity. Street boxing among children was a natural extension of this tradition, allowing young boys to test themselves and establish social hierarchies.

Horvat's composition exemplifies humanist photography - a lyrical, warm movement responsive to humanity's sufferings that emerged in 1950s Europe. The scene captures characteristic spontaneity while maintaining respectful distance from subjects. The chalked pavement markings suggest how children creatively appropriated urban spaces for play.

The photograph functions as both artistic expression and valuable social documentation, freezing a moment when working-class communities maintained strong cohesion and distinctive cultural practices. The presence of observing adults suggests intergenerational transmission of cultural values typical of neighborhoods like Lambeth.

Today, the image serves as meditation on community, masculinity, and urban space, reminding viewers of rich community life that existed before gentrification and urban renewal transformed these areas. It stands as a masterpiece capturing profound meaning in everyday interactions.

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