Amen II, Accra, Ghana, 2022 captures an intimate moment of spiritual reflection through Carlos Idun-Tawiah's distinctive vernacular photography style. The image presents a figure in quiet contemplation, hands clasped over an open book, with a rosary visible on the wooden surface—elements that speak to the profound role of faith in Ghanaian daily life.

Idun-Tawiah, born in 1997 and based in Accra, has established himself as a significant voice in contemporary African photography. His work centers on African resurgence and the preservation of dynamic Black lives, drawing inspiration from the continent's rich photographic archives. This photograph exemplifies his commitment to capturing the ethos of community, love and hope.

The image belongs to Idun-Tawiah's acclaimed Sunday Special series, which serves as a requiem of childhood memories inspired by family albums and his upbringing in a Christian Ghanaian home. Through this nostalgic exploration, the photographer seeks to blur the lines between sanctity and humanity, underscoring how community and divinity can exist in one place.

The composition demonstrates Idun-Tawiah's masterful use of visual nostalgia, juxtaposition, color and gesture to extract the authentic tenor of spiritual life in Ghana. The warm, intimate lighting and careful attention to domestic details reflect his background in fashion photography while maintaining documentary intimacy.

Through Amen II, Idun-Tawiah contributes to contemporary conversations about African identity while honoring the spiritual foundations that shape Ghanaian communities.