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Artworks

Joel Meyerowitz, San Cristóbal de las Casas, México, 1971.

Joel Meyerowitz American, b. 6/3/1938

San Cristóbal de las Casas, México, 1971.
Archival pigment print. Printed later.
.
20 × 24 in / 50 × 60 cm
30 × 40 in / 76 × 101 cm
Umbrella edition of 25

48 × 60 in / 121 × 152 cm
Edition of 5

60 x 75 in / 152.4 x 190.5 cm
Edition of 3
.
Hand-signed by artist, mounted, titled, editioned and print date in ink label affixed to mount verso.
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Joel Meyerowitz’s 1971 photograph from San Cristóbal de las Casas captures the vibrant poetry of everyday existence, suffused with honesty and color. A boy rests on the lush grass, a...
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Joel Meyerowitz’s 1971 photograph from San Cristóbal de las Casas captures the vibrant poetry of everyday existence, suffused with honesty and color. A boy rests on the lush grass, a handmade cross in his hand, and the garden’s abundant foliage wraps him in a private embrace. This moment is both spiritual and ordinary, the cross quietly bridging tradition and playful reflection. Instead of solemn ritual, the boy’s gesture and relaxed posture hint at introspection, revealing faith as both intimate and unburdened.


Meyerowitz, a pioneer of color photography, elevates the turquoise wall behind the boy to more than background: it is integral to the picture’s tranquility and warmth. The wall’s vivid tone, together with the sunlight that caresses leaves and skin, exemplifies Meyerowitz’s mastery of color and light, his ability to imbue everyday scenes with emotional resonance. Yellow blossoms and scattered potted plants stand as ephemeral witnesses to the cycles of life, while the distant window with its single bottle lightly suggests domestic continuity.


Throughout his career, Meyerowitz’s style has embraced candid moments, relying on fluid compositions that invite viewers to explore each detail without a single focal anchor. His images burst with specificity while remaining vast in implication, respecting the subject’s spontaneity and their context. Here, as in his street photography, he finds narrative without staging, letting life unfold naturally: the boy’s focus, the cross as a tactile emblem, and the garden’s embrace create an emotional landscape both familiar and strange.


This photograph resists easy categorization by rendering the sacred porous with the everyday, the spiritual visible in ordinary light. Meyerowitz’s lens witnesses, rather than intrudes, highlighting the wonder and play hidden in the mundane. His work is a visual meditation, not just on cultural myth or personal memory, but on the perennial beauty threaded through daily life. It is a portrait of growth, introspection, and the subtle drama spun of sunlight, greenery, and childhood imagination.

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