Bruce Weber American, b. 29/3/1946
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Edition of 15
16 × 20 in / 40 × 50 cm
Edition of 5
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The collaboration represents complementary artistic sensibilities. Van Sant's associative storytelling creates what critics describe as work "closer to Pasolini's blend of neo-realism and poetic lyricism". Weber's documentation explores the same blend of "really honest and poetry," finding his "dream-like imagery with metaphorical qualities" that defines Van Sant's cinematic meditation on identity.
Both artists share an aesthetic of vulnerability—Van Sant through marginalized youth, Weber through his polymorphous approach to beauty. Weber's "voracious artistic hunger" transforms the young actors into part of his ongoing exploration of American masculinity and youthful beauty.
Weber's documentary approach embodies what he calls "allowing your crushes to be world"—a deeply personal methodology that transforms subjects into objects of wonder.
His philosophy centers on creating space for authentic connection: "I always felt that the great thing about photography is that you can collaborate with people." This collaborative spirit allows for what critics recognize as his ability to "capture genuine moments while revealing the essential vulnerability of his subjects."
As both photographer and filmmaker, Weber brings a unique dual perspective that enriches his documentation. His cinematic sensibility, evident in acclaimed works including the Oscar-nominated documentary "Let's Get Lost" (1988) about jazz trumpeter Chet Baker, profoundly informs his photographic vision. Weber has directed numerous films and documentaries, understanding that as he notes: "I want to make films like a photographer. I was always proud that I was a photographer".
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