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Artworks

Bruce Weber, Bruce and Talisa on my Chris-Craft, Bellport, NY, 1982.

Bruce Weber American, b. 29/3/1946

Bruce and Talisa on my Chris-Craft, Bellport, NY, 1982.
Gelatin Silver Print.
.
11 x 14 in / 27 x 35 cm
.
Edition of 15
Hand-signed by artist, titled, numbered and dated on print verso.
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Bruce Weber's Bellport Romance: A Moment Frozen in Time This 1982 photograph distills Bruce Weber's emerging aesthetic at fashion photography's most transformative moment. Shot aboard a classic Chris-Craft speedboat in...
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Bruce Weber's Bellport Romance: A Moment Frozen in Time


This 1982 photograph distills Bruce Weber's emerging aesthetic at fashion photography's most transformative moment. Shot aboard a classic Chris-Craft speedboat in Bellport, New York, the image captures model Bruce Hulse and fifteen-year-old Talisa Soto in a tableau of studied intimacy that would define Weber's career.


Weber positions his subjects with theatrical precision. Hulse, shirtless and contemplative, embodies the photographer's revolutionary vision of masculinity—vulnerable rather than aggressive, introspective instead of commanding. His sculpted torso and pensive gaze established a new iconography of male beauty that Weber would refine throughout the decade.


Beside him, Soto—discovered by Weber just weeks earlier for British Vogue—tilts skyward in languid abandon. Her masculine styling, crisp shirt and wide trousers, creates an androgyny that feels remarkably contemporary.


Weber's careful attention to texture—weathered teak, soft fabric against skin—reveals his classical training and absorption of Hollywood cinematography. The Chris-Craft itself carries symbolic weight: these handcrafted mahogany speedboats represented quintessential American luxury, postwar prosperity acquiring heritage patina.


What distinguishes this work is its emotional restraint. Despite obvious sensuality, Weber refuses explicit eroticism. His subjects inhabit shared reverie rather than engaging camera or viewer, suggesting desire without declaration.


Shot for British Vogue's December 1982 "Under Weston Eyes" editorial, the photograph captures Weber transitioning from art photographer to commercial powerhouse, and Soto beginning her ascent to modeling stardom.


The Bellport setting, with its old-money discretion and bohemian summer culture, perfectly encapsulates Weber's signature invention: a fabricated golden age rendered more compelling than any present reality. This is nostalgia as aesthetic strategy, creating a mythological past that never existed but feels utterly authentic.

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