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Artworks

Txema Yeste, Yoon Young Bae, Lanzarote, 2017.

Txema Yeste Spanish, b. 2/5/1972

Yoon Young Bae, Lanzarote, 2017.
Image Size : 19 1/4 x 25 1/2 in : 48.9 x 64.8 cm
Paper Size : 21 1/4 x 27 1/2 in : 54 x 69.8 cm
Dye-Transfer Print
Edition of 5
.
76.2 x 101.6 cm / 30 x 40 in
Archival Pigment Print
Edition of 5
.
116.8 x 154.9 cm / 46 x 61 in
Archival Pigment Print
Edition of 3
.
Hand-signed by artist, mounted, titled, editioned and print date in ink label affixed to mount verso.
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The photograph by Txema Yesta captures an extraordinarily arresting moment of studied elegance and deliberate theatrical composition. Yoon Young Bae sits astride a chestnut horse across the barren landscape of...
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The photograph by Txema Yesta captures an extraordinarily arresting moment of studied elegance and deliberate theatrical composition. Yoon Young Bae sits astride a chestnut horse across the barren landscape of Lanzarote, her silhouette rendered almost sculptural against the tempestuous sky. She wields an expansive black umbrella that dominates the frame, transforming the ordinary protective object into something architectural and absurdly surreal.


The image pulses with contradictions that demand contemplation. Here stands an impossibly polished figure—dressed in glossy black patent materials and a precisely angled hat—commanding the raw, austere terrain of volcanic rock and windswept desolation. The umbrella becomes a paradoxical statement: protection against elements rendered useless in such starkness, yet simultaneously an assertion of refinement and control over nature's chaos.


The horse, with its lustrous brown coat and flowing mane animated by wind, grounds the composition in living reality while the rider's statuesque bearing suggests something more mythological. This is fashion photography that transcends mere aesthetic documentation. The geometric precision of the umbrella's canopy contrasts dramatically with the organic undulation of the landscape, creating visual tension that mirrors a deeper conceptual friction between artifice and authenticity.


Yeste's masterful use of light reveals every fabric texture while the brilliant sky provides chromatic counterpoint to the subject's monochromatic severity. The barren terrain, neither hospitable nor decorative, amplifies the image's unsettling power. This is not escapism into exotic beauty but rather a confrontation between human ambition and environmental indifference.


What emerges is something simultaneously humorous and profound—a meditation on identity, performance, and the absurd persistence of style even in circumstances where such refinement appears utterly incongruous. The photograph whispers of resilience, of finding grace not through harmony with one's surroundings but through audacious self-assertion.

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