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Vivian Maier: Black and White and Color

Past exhibition
17 September - 17 December 2021
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Galería Alta. Vivian Maier. Canada, No date. © Estate of Vivian Maier, Courtesy Maloof Collection and Howard Greenberg Gallery, New York.

Vivian Maier American, 1/2/1926-21/4/2009

Canada, No date.
Gelatin Silver Print. Printed 2014.
.
Image size : 12 x 12 in : 30,48 x 30,48 cm.
Paper size : 20 x 16 in : 50,80 x 40,64 cm.
.
Edition 4/15. Sold Out Edition. Only Print Available.
Maloof collection stamp signed and authenticated by John Maloof with date, print date, and edition number in ink on print verso.
Enquire
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Vivian Maier captures an intimate street scene revealing the quiet complexity of childhood in mid-20th century North America. Two young girls stand before a weathered storefront, their contrasting expressions showcasing...
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Vivian Maier captures an intimate street scene revealing the quiet complexity of childhood in mid-20th century North America.


Two young girls stand before a weathered storefront, their contrasting expressions showcasing the photographer's remarkable ability to freeze fleeting moments of human vulnerability.


Maier's technical mastery shines through her compositional choices. Shot from her characteristic waist-level position, the perspective creates intimacy that brings viewers down to the children's eye level. Rich tonal contrasts typical of her work enhance textures of weathered wood, cracked sidewalks, and clothing details.


The storefront backdrop provides historical context - notices on glass windows and aged doors speak to a bygone era of neighborhood commerce.


Maier's genius lay in recognizing ordinary moments as profound urban life documents. During four decades as a nanny in Chicago and New York, she accumulated over 100,000 negatives yet shared her work with virtually no one.


“There's a real sense of authenticity to this work. I can sense her presence in all her images,"observed renowned photographer Joel Meyerowitz, capturing what makes Maier's photography so compelling.


The mystery surrounding Maier's motivation deepens the photograph's impact. She zealously protected her artistic output, storing thousands of undeveloped rolls in storage lockers. Her work remained hidden until 2007, when John Maloof discovered her archive at a Chicago auction house.


This image, with its tender portrayal of childhood resilience, exemplifies why her posthumous discovery revolutionized our understanding of American street photography, transcending documentation to become meditation on observation itself.

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