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Joel Meyerowitz: License to see

Past exhibition
21 January - 31 May 2022
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Joel Meyerowitz, Gold Column, Provincetown, Massachusetts, 1977.

Joel Meyerowitz American, b. 6/3/1938

Gold Column, Provincetown, Massachusetts, 1977.
Archival pigment print.
.
20 × 24 in / 50 × 60 cm
Edition of 20

30 × 40 in / 76 × 101 cm
Edition of 10

48 × 60 in / 121 × 152 cm
Edition of 5

60 x 75 in / 152.4 x 190.5 cm
Edition of 3
.
Hand-signed by artist, mounted, titled, editioned and print date in ink label affixed to mount verso.
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Joel Meyerowitz's 'Gold Column, Provincetown, Massachusetts, 1977,' stands as a quintessential example of his mastery in capturing the ephemeral dance of light, color, and atmosphere. The photograph immediately transports the...
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Joel Meyerowitz's "Gold Column, Provincetown, Massachusetts, 1977," stands as a quintessential example of his mastery in capturing the ephemeral dance of light, color, and atmosphere. The photograph immediately transports the viewer to the tranquil, liminal space of a porch overlooking a serene expanse of sea, almost certainly during the cherished "golden hour" as daylight begins to wane.


Dominating the foreground, a substantial architectural column commands attention, serving as the photograph's primary focal point and namesake. Its surface is lovingly caressed by the warm, luminous glow of the descending sun, imbuing it with a rich, almost tangible golden quality. This specific illumination doesn't just highlight the column; it suffuses the entire proximal environment of the porch with a profound sense of serenity, perhaps tinged with a gentle nostalgia often associated with such fleeting moments of perfect light.


The composition is anchored by strong architectural lines: the decisive diagonal sweep of the porch roof cuts across the upper frame, contrasting with the firm vertical assertion of the columns. Together, these elements artfully frame the expansive vista beyond – a calm, subtly textured sea stretching towards a soft, hazy horizon where the sky and water appear to meld into a delicate wash of gentle, muted tones. This framing creates a window into a world of quietude, drawing the eye outwards.


A sophisticated and delicate interplay exists between the palette of colors. The warm, earthy peaches, ochres, and subtle browns of the illuminated woodwork and column stand in beautiful contrast to the cooler, more ethereal blues, greys, and mauves that define the distant water and overarching sky. This juxtaposition creates a balanced yet visually dynamic tension, a hallmark of Meyerowitz's color work.


Further enriching the scene, a lone, small boat can be discerned adrift in the middle distance. Its presence is subtle, a faint whisper of human activity that, rather than intruding, serves to accentuate the sheer vastness of the seascape and the profound solitude of the moment. It adds a narrative touch, a silent story within the larger atmospheric tale.


The overall effect achieved is one of quiet contemplation, a captured instant where time itself seems to decelerate, allowing for deep absorption. Meyerowitz, with his keen eye, transcends mere documentation. He doesn't just present a scene; he meticulously evokes a feeling, extending an invitation to the viewer to pause, breathe, and fully absorb the subtle, often overlooked beauty of an everyday setting transformed by the exquisite and transient quality of light. It's a testament to the power of color photography to convey deep emotional resonance and the quiet poetry of place.

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