Inheriting Dreams: the living legacy of photography

Gaspar Keri, Punkt, 13 October 2025
 

Four years ago, Galeria Alta opened its doors in a mountain village of four hundred people in Andorra with an exhibition of Vivian Maier's black-and-white and color photographs. The exhibition space has now become a model venue for the contemporary and historical representation of international photography. Their latest exhibition, Inheriting Dreams, is curated by Max Saula, the 19-year-old son of the gallery's founding couple. In addition to the selection representing the defining artists of 20th-century and contemporary photography, he also presents the dense fabric of time, photography, and the connections between generations in an understanding and sensitive manner, despite his surprisingly young age.

 

What would lead an art-loving couple to set up a photography gallery in the town of Anyós in the Pyrenees principality was initially a matter of speculation. But the exhibition space in the town, located 1,342 meters above sea level, quickly revealed that the location was not only not an obstacle, but also had special qualities for receiving works. Silence, natural scenery, solitude have all become part of the experience offered by the founders of Galeria Alta, Pancho Saula and Michelle Ferrara. In fact, artworks are also associated with thoughts, stories, and feelings, and this has been noticed by art collectors, curators, and artists in recent times. In the four years since its founding, nearly two dozen exhibitions have taken place; eleven in the Andorran center and twelve abroad. Under the title Alta On Tour, the gallery has traveled to Paris, Barcelona, ​​Milan, Ibiza, Prague, Monaco and Madrid, and even debuted as a participant in Paris Photo last year.

 

The gallery's current exhibition, open until November 7, 2025, showcases its collecting and art trading practices through works by Berenice Abbott, Bruce Davidson, Saul Leiter, Weegee, Frank Horvat, Joel Meyerowitz, Vivian Maier, Steven Meisel, Sarah Moon, Ryan McGinley, Jessica Lange, and Spanish artists such as Ramón Masats and Txema Yeste, among others. Despite his young age, the curator, Max Saula, undoubtedly helped the dialogue between the works and the spirit of the place with his sensitive selection. The Inheriting Dreams exhibition also seeks not only to present famous, in most cases now canonized names, but also attempts to represent what it means to inherit a vision, or how a collection of images can become a point of view worthy of further reflection.

“My father collected photographs long before I was born, and my parents took me to exhibitions, galleries, and fairs from a young age. For me – unlike many of my friends – the photographs hanging on the walls were simply a part of everyday life, and I grew up among them.” (Max Saula)

Alta's success also lies in the fact that it focuses not on sterile museum frames, but on human relationships, on real dialogue between collectors, creators, and curators. One of the big questions in photography – and indeed the entire creative arts – these days is precisely what we really want to keep in our memory, in addition to digitalization, instant reproductions, and the continuous flow of images. Alta's model – slowing down, selection, curatorial sensitivity – can also be an answer to the need for art appreciation to reach wider audiences; so that the past does not just give rise to nostalgia, but to a living experience that can influence our future in ideal directions.

 

On the fourth anniversary of its opening, Galeria Alta celebrates four years of risk with a representative selection, and with it the founders' commitment to photography and cross-border creative arts, including photography. At the same time, the material in Inheriting Dreams is also a selection offering new perspectives from a very young curator. All this in a mountain village, far from the noise of the world, where the reception of photographs is facilitated by a spiritually stimulating environment.

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